Liberty was called in different ways according to the nation, universally known as Art-Nouveau and it is thought that Arthur Liberty derives the name given in Italy to this beautiful stylistic current. The 1900 Paris Universal Exposition was an important point for the development and affirmation of Liberty in the following decade. The first signs of this new era came from architects such as Hector Guimard (1867-1942) who built numerous buildings and hotels, but also from people such as Arthur Mackmurdo furniture designer and Arthur Liberty late 19th century London industrial and merchant who began to produce upholstery fabrics with floral motifs with soft and sinuous shapes. The current was characterized by the floral influence and the soft and curved lines, a typical example are the "whiplashes". 1890) after the Umbertino style and continued until the First World War. Style: Art Nouveau (1890-1920) Historical stylistic period formed from the end of the 19th century (c. From 1898 also began a public confrontation with the other famous Art Nouveau cabinet makers Carlo Bugatti and Eugenio Quarti, who were also present both at the Turin exhibitions of 18 and at the Paris one in 1900. Carlo Zen (1851-1918): his furnishings are exhibited at various regional, national and international exhibitions, but it is precisely at the Turin exhibition of 1898 that some imaginative furniture attributable to the still in embryo floral style is proposed. We conclude by reporting that some of the furnishings in our room bear the label "Ditta Valeriano Rovinazzi, Bologna Via Zamboni 7 A B C.", reseller of handcrafted furniture, on the back.
#VENETIAN PLASTER ON FIREPLACE FULL#
Furthermore, Ferruccio Amati, an important restorer, professor of antiques and member of the Lombard College in the Fine Arts and Antiques sector, in a publication dated August 2000 attributes a bedroom built between 18 to Carlo Zen, which finds a full correspondence with ours regarding the pair of bedside tables and the chest of drawers. Our Art Nouveau bedroom has strong correspondences both in the wardrobe brought by Falceri to the 1906 Exposition, and in the shapes and floral style of the bedroom brought by Zen to the 1902 Turin Exposition, although the latter is characterized by a greater richness in the carving. Achille Falceri is also present at the Exhibition: these data allow us to affirm with certainty both Carlo Zen's predisposition towards collaborations with other craftsmen of the period, and the knowledge and probable relationship of friendship and cooperation between the two cabinet makers, moreover originally from the same city, Verona.
In fact, the Fabbrica Italiana di Mobili was present at the 1906 Milan Exposition with about twenty rooms designed mostly by the Sicchirollo brothers, supervisors of the factory's modern furniture department, but also by others including some of the most illustrious artists of the era. Built in the early years of the 20th century, the room seems to all intents and purposes to be the product of the collaboration of two great cabinet makers such as Achille Falceri, owner of the historic furniture factory based in via 4 Spade 16 in Verona, and Carlo Zen, under the artistic supervision of the latter. The furnishings are characterized by the high structural and carving quality, the latter clearly visible above all in the voluminous, finely sculpted floral applications.
Notes historical bibliographic Bed forming part of a liberty bedroom in walnut consisting of wardrobe, chest of drawers, pettineuse, bed, pair of bedside tables, armchair and two chairs. In thecase of irregular supports, whether interior or exterior, with uneven absorption rates, restored plaster, stains, etc., the application of alayer of Intocalce with a steel trowel is recommended in order to even out the surface and create the ideal base for even absorption.If you wish to fill the surface to a greater degree or give VENETIAN PLASTER MARMORINO FINE a more “veined” or “pointed” appearanceapply VENETIAN PLASTER MARMORINO Naturale with a steel trowel filling any cracks or imperfections in the surface. Neutralize in advance with appropriate products the presence of stains of various types or any saline efflorescence. On supports of the type: gesso, gypsum, plasterboard, old synthetic or powdery paints, stucco smoothingetc, apply a coat of primer to the point of saturation and subsequently a coat of VENETIAN PLASTERMARMORINO.
Interior:Preparation: on civil plaster or old mineral paints as long as they are not powdery, are in good condition and sufficiently rough, applydirectly.
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